Hellenic in the Ubuntu font
Ubuntu 10.10 is just around the corner. In this version some preliminary signs of Ubuntu’s design efforts are slowly showing, although there’s still a vast amount of work to do. One of the ‘new’ things in 10.10 as far as the user experience is concerned is the new Ubuntu font.
I am very happy to see Hellenic supported from this early stage. As others have commented however, there are considerable problems with the typeface. The font has several controversial features, like the ‘short chi’ glyph and the weird gamma among others.
The short chi (χ) is not really a problem as far as I am concerned, although it is a departure from the norm. Most modern well-designed hellenic fonts have a chi with a descender. In ‘classical’ hellenic typography chi almost always has a descender; there are, however, a few good examples of contemporary designs with ‘short’ chi (Gotham Greek by Cannibal Fonts — one of the premier foundries in Greece — comes to mind) and I believe it’s acceptable in a modern, informal typeface.
Gamma (γ), on the other hand, as found in the ‘final’ version of the font included with the Ubuntu 10.10 RC, is poor and betrays the ignorance of the designers with respect to hellenic type; it reminded me of Myriad Pro; a beautiful roman typeface (recently popularised because its adoption by Apple as the company’s corporate font) that has been butchered in its hellenic version.
There are other, less important, issues with the hellenic glyphs in the font, but even those I mention above are enough to demonstrate the intricancies involved in designing hellenic fonts (esp. by people who don’t have a feel for the language).
Turning roman fonts, even excellent ones, to hellenic is a tough job, even for skilled professionals with many years of experience with the language, the alphabet and hellenic typography. Many of the good hellenic fonts have been designed by font designers outside of Greece and have been iteratively improved over the span of many years before they reached a level of comparable quality to their roman counterparts.
I appreciate the effort by Maag and Canonical and I really love the fact that the language is included as a first-class citizen in the new Ubuntu font.
I also think, however, that you need to get a better understanding of Hellenic typography as well as — seemingly — better advice, before the ‘Ubuntu’ font can claim that it is a well-designed hellenic font.
An out-of-touch visual cliché to connote “the digital age.”
Jonathan Hoefler’s semi-lyrical piece on the pixel’s history and future. [via subtraction]
A free, flash-based and easy to use webapp with which you can ‘design, build and share’ your own modular fonts. Excellent.
Lucida Grandε.
This has been itching me ever since I installed Leopard. Lucida Grande, the ‘default’ font for much of OS X’s UI has been ‘upgraded’ to version 6.0.
This wouldn’t be a problem (or even noticeable) if the new Lucida Grande hadn’t replaced the glyph for the hellenic character epsilon with the ugliest, most striking version ever to grace my Mac. Since Hellenic is my mother tongue, I frequently use it and was immediately striken by the new glyph although it took a while for me to realise what it was that bothered me. Take a look at the following two samples of Lucida Grande 5.0 (from Mac OS X ‘Tiger’ 10.4) and Lucida Grande 6.0 (from Mac OS X ‘Leopard’ 10.5).
Old:

New:

Ugly? Very much so. I suspect they changed it so that those that use Hellenic for mathematical/physics notation can get a more ‘appropriate’ epsilon. To them I say: Use LaTeX for Typography’s Sake! At least the rest of the font is still as beautiful as ever.
One of the main gripes of designers and users alike about the Web is its inherent dependence on the few, largely mediocre (e.g. Trebuchet, Times New Roman, Courier New) or poor (Arial, Comic Sans, Verdana etc.) fonts that Microsoft commissioned or designed more than a decade ago. This year CSS turns ten and along with it comes yet another proposal on the Web’s Typographic liberation. Or sort of. This time it might work, although scores of technical and legal questions remain. A List Apart has the details.
Εταιρία Ελληνικών Τυπογραφικών Στοιχείων
Μια όμορφη σελίδα. Αρκετές, ομορφότερες, ελληνικές γραμματοσειρές — μερικές εκ των οποίων διαθέσιμες μέσω άδειας Open Font Licence.


