Disempowering the user.
I think what really happened was that in the early days of personal computing, decisions were made to give the user an enormous amount of freedom, to communicate without barriers and to share files. And consumers started to use those to, you know, trade information, outside of the boundaries of the law. Since about 2007 or 2008 though we've seen a complete shift in this paradigm. Since that time the technologists and the rights holders have really been working together to disempower the user and to turn them more into a customer. So the goal is no longer to empower the computing user, it's to extract value from them. And I think if you look at your smartphone you'll see that: it's a lot more closed than a PC used to be. You almost always have to go through a corporate intermediary. And that was not the case in the early days of computing. There was a period there where the average user had an extraordinary amount of power to do, basically, what they saw fit.
This is a quote by Stephen Witt, author of 'How Music Got Free'
, as mentioned in The Pop Star and the Prophet
(around the 20 minute mark), a BBC podcast published back in September --- if you're a music lover in addition to a technology enthusiast, you should listen to the podcast and, perhaps, read the book.
And while his book is probably only tangentially interesting to anyone interested in the history of technology, but without an interest in music, the quote couldn't possibly be more accurate or well-put.
Some weird, some cool, only three seem to contain Hellenic glyphs (and two of those only seem to have uppercase glyphs). The lack of good, free (or affordable) hellenic typefaces is extremely disappointing.
I don't know why, it could be the cold weather or just coincidental, but December is fast becoming the month so many good Jazz and Blues musicians of ol' pass away. Oscar Peterson
, for example, in 2007. Or James Brown a year earlier. This time it's Dave Brubeck. 'Take Five' is the piece most identify him with, and 'popular' doesn't even begin to describe its appeal and success --- recognizable by so many generations in the fifty one or so years of its existence. Yet his work goes well beyond than this single track that everyone feels so familiar with. After all, who, in their right mind, could possibly forget 'It's a Raggy Waltz', 'Blue Rondo A La Turk' or 'Take The A Train'. Dave was undoubtedly one of the great pioneers of his time.
Tears of Steel is the fourth film (and the first live-action short) by the blender foundation and a giant leap forward for the community and the software. It is a sci-fi film that showcases recent work on blender, including Compositing,…
I don’t often write about Greek bands and for good reason. If there is one thing one can write about the rock underground in Greece is that it is unpredictable. Its rare highs exceptional, its frequent lows painful and the…
In one of the latest commits, Ubuntu Mono, the monospace variant of the Ubuntu font that has recently been included in the distribution, was added to the repositories.
Ubuntu Mono is a relatively nice looking monospace font that borrows quite a lot from Consolas, but adds its own distinctive touches that make it fit better with the Ubuntu font family. I have been a member of the beta testing group and have seen it for a while now, but I never quite found the time to properly look into it.
Sadly, while the roman script looks great already, the Greek script suffers from some poor design decisions. Chief among them is Gamma (the capital gamma) which was clearly designed by someone totally unfamiliar with the Greek language and script. Gamma in Ubuntu Mono features a bottom serif that is totally distorting the perception of the character. It is unlike any other modern font I've ever seen and I feel is doing Ubuntu Mono a disservice (it has certainly rendered the font unusable by me as long as it looks this bad).
In an effort to remedy this, I have opened a bug in Launchpad, Ubuntu's bug reporting system. You can find the bug, #867577, here
. If you have a Launchpad account, use Ubuntu (and/or the fonts) and would like to see Ubuntu Mono fixed for Greek please subscribe, add your comment and/or contact those responsible to help them realise how their effort is being ruined by a few badly designed characters.
In the same vain as Helvetica, but seemingly more of an 'indie' endeavour, this Kickstarter-funded movie about Linotype, the almost lost art of traditional typesetting and the eponymous machine is almost done. Check out the trailer below, or visit their site
. It may be interesting to those loving typography.
Tim Schafer's History of Videogames Adventure
You may have heard of him. No? Well, sc**w you! Because, err, you should.
Tim Schafer's video mini autobiography for Gamespot. Must see for all those that have enjoyed any/all of Day of the Tentacle, the original two Monkey Island games, Full Throttle, Grim Fandango or his later creations at Double Fine Productions.
Ten for Grandpa
If only all shorts were as well directed, captivating and sublime as this one! Loved it.
Bon Iver – Bon Iver (2011)
Two days of listening to Bon Iver (the new album) by Justin Vernon's synonymous band. Part of me admires this guy for evolving, for moving on and not capitalising on what he achieved with 'For Emma, Forever Ago' three years ago. Yet another part of me is sad; all that made "For Emma" the jewel it is, is all but gone from this album: the emotion, the pain, the pure, unadulterated sound and simplicity of Vernon's voice + his acoustic guitar. Without arrangements, without electronics and fx*
, without guest musicians or overengineered sonic landscapes. That's where 'Bon Iver' is different to its predecessor and so much like other contemporary indie/folk albums: there may be some glimpses, sporadic moments of brilliance that reminded me why I liked the band in the first place, but as a whole it's an average album. But then again, it is clear to me that 'For Emma' was the exception, not only because of how it was produced (the product of a three month seclusion at a cabin in northwestern Wisconsin), but also because of the ripple it created exactly because it was so authentic yet so different to everything else that made it stand out. In that respect 'Bon Iver' is nowhere near 'For Emma' territory, but still an album that showcases Vernon's songwriting ability and unique voice.
* Ok, there is some autotune in use in For Emma..But it really doesn't detract from the statement above.