To say that I’m no fan of Quentin Tarantino is no exaggeration. I find Tarantino gifted, but the gift lies not in his direction, his cinematography or his script-writing: it is his deep knowledge of the cinema and a twisted sense of æsthetics, ethics and bold storytelling fascinate and engage audiences and critics alike. But […]
Æsthetics and usability go hand in hand. Because many people are visual beings, they function better when they work in a beautiful environment. And that extends to computing. So those two go together. In typography this is pretty obvious whenever you’ve got to use (even for a short while) a Windows machine: Cleartype, now the […]
Reboot. Labelling any fictional universe, any story, any work as a ‘franchise’ couldn’t be considered anything, but demeaning to those that love it. Yet I am lost for words when I try to determine how the Star Trek series of movies and TV episodes could be called. After 2002’s ‘Nemesis‘, it was all but clear […]
We love Radiohead, but we're not sure if the band realizes they're superstars, and the normal rules don't apply to them anymore. The band's "pay what you want" idea for the In Rainbows album may have been successful, but for every one Radiohead there's ten thousand would-be rock stars selling CDs out of the trunks of their car (or MP3s on some little-visited web site) and starving.So, one Radiohead per ten thousand would-be rock stars. Apparently the authors ignore that this is exactly the status quo that the RIAA nurtured in decades past, exactly what the internet, mp3, file sharing and indeed Radiohead's testimony help change: total control over music promotion, repertoire selection, bias in favour of genres/artists by a few multinational corporations aimed at nothing more than profit maximisation. Put another way: A small minority of artists getting all the exposure [and some of them going bankrupt despite the megacorps' multi-million contracts], while millions more being unable to promote their music, make money, live off it. Those same approaches that have led to a just few hundred artists getting millions and the rest starving. If anything, testifying against the RIAA, especially if you've attained superstar status, goes against that. Lastly, Radiohead --- whether you like or dislike their music --- have proven their artistic integrity as well as their popularity time and again, most certainly without RIAAs help. There's no doubt that the interests of musicians around the world should be protected; RIAA never did that and most probably never will.
This past weekend, during coding, I opened last.fm and clicked on ‘My Recommendations’ and a short while later ‘B Minor’ from the 2001 album ‘Elm Street’ by Lanterna started playing from my speakers. The track is captivating, its ambience, smooth and flowing — so different to many ‘guitar-based’ tracks out there, while at the same […]
This year I watched, along with a few friends and acquaintances of mine, TED 2009 over the ‘net. The experience was — overall — positive, although there were quite a few surprises (more on that later). In this post I’ll summarise some of the talks that made an impression (negative or positive) to me. I’m […]