Ανωνυμία

Έχει επανέλθει στο προσκηνιο το θέμα της ανωνυμίας στο διαδίκτυο και είναι τρομακτική η διαφορά, όχι στο νομικό status quo αλλά τις τάσεις, διεθνείς και εγχώριες, που παρατηρούνται στο διαδικτύο τα τελευταία χρόνια. Τάσεις που με πλήθος τρόπων, μεθόδων και ρητορικής βλέπει την ανωνυμία να εξοστρακίζεται στη σφαίρα του εγκληματικού, του ανεπιθύμητου, του ανήθικου και […]

Bletchley Park, by Google.

I've written before about Bletchley Park, when, in 2008, closure seemed imminent and the UK government seemed unable and unwilling to do much to keep it alive. Now Google has offered to help restore Bletchley Park --- an admirable endeavour that is very welcome, given the site's significance in World War II history. As a sidenote, it is a real shame that we have now come to depend on multinational corporations in order to preserve our monuments.

Ten for Grandpa

If only all shorts were as well directed, captivating and sublime as this one! Loved it.

Bon Iver – Bon Iver (2011)

Bon Iver - Bon Iver (2011)Two days of listening to Bon Iver (the new album) by Justin Vernon's synonymous band. Part of me admires this guy for evolving, for moving on and not capitalising on what he achieved with 'For Emma, Forever Ago' three years ago. Yet another part of me is sad; all that made "For Emma" the jewel it is, is all but gone from this album: the emotion, the pain, the pure, unadulterated sound and simplicity of Vernon's voice + his acoustic guitar. Without arrangements, without electronics and fx*, without guest musicians or overengineered sonic landscapes. That's where 'Bon Iver' is different to its predecessor and so much like other contemporary indie/folk albums: there may be some glimpses, sporadic moments of brilliance that reminded me why I liked the band in the first place, but as a whole it's an average album. But then again, it is clear to me that 'For Emma' was the exception, not only because of how it was produced (the product of a three month seclusion at a cabin in northwestern Wisconsin), but also because of the ripple it created exactly because it was so authentic yet so different to everything else that made it stand out. In that respect 'Bon Iver' is nowhere near 'For Emma' territory, but still an album that showcases Vernon's songwriting ability and unique voice. * Ok, there is some autotune in use in For Emma..But it really doesn't detract from the statement above.

Brett Garsed – Dark Matter (2011)

Brett Garsed - Dark MatterIt's nine years since Brett Garsed's last solo album, Big Sky. And while his output has more or less declined in volume this past decade, his latest album, Dark Matter is a great example of contemporary Rock Fusion, along the lines of Big Sky as well as many of his numerous appearances and collaborations. Although I only got the album a few hours ago, I have found it to be particularly interesting in that it literally 'fuses' (pun intended!) several familiar --- at least to me --- related styles: Vintage Satch, Liquid Tension Experiment, touches of Holdsworth, Fripp, Metheny and Shawn Lane. The tracks are more upbeat and energetic than those found in Big Sky; jazzier at times, heavier in others, with a distinct bent on fusion. I particularly enjoyed Avoid the Void, Dark Matter and Enigma, although I cannot say that any of the other tracks were disappointing. Dark Matter may be an interesting album, yet it is somewhat typical of the genre, which has been largely stagnant for years. It may lack the exceptional feel one finds at times in Big Sky --- there are no tracks like Trinity or Drowning, for example --- but includes many tracks with more uplifting, polished and --- I might argue --- technical deliveries of interesting compositions and improvisations that lean heavily on Garsed's signature technique and sound. For those enjoying rock fusion, progressive rock and virtuoso guitar instrumentals this is definitely an album worth getting and listening to. Those more familiar with Garsed's competence and compositional skills (and more demanding of their music) may have expected a bit more.

Collaborative. Digital. Action!

In 2008 Canon released the EOS 5D Mark II. This was the successor to the synonymous (Mark I) camera that made full-frame DSLRs accessible to people unwilling to spend a small fortune to get one — the EOS 1Ds usually costs around $8,000 when a new revision of it is released. But it was also […]